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Sunday, May 29, 2022

Mary Mayer Shapiro

Artwork by Anna Broome


Cemetery


The cemetery is outside of the town, located on the hilly side, encircled with a fence. People were dying to get in.

As the town grew, the graveyard became the center of the town.

The tombstones, stating fact – born, died, wife, husband, son, daughter. There is no bio - occupation, deed, awards.

I lay here, six feet under ground, in a sealed coffin, trapped, encased. This is my new residence, a forever place.

My monument acknowledges me. My pillow and blanket border my grave site, occupied with flowers, filled with nectar, attracting bees, keeping me alive above ground,

As time goes on, I am forgotten, no flowers may be found on my grave, no visitors. I am in eternal purgatory.

I am buried in the family plot. Those who went before I was born, just saw the names on the ancestor tree and never met. Some I knew. Some died when their time was up, others met untimely deaths.

I can hear Aunt Sylvia moving around, making sure her “plants” are flourishing.

I can hear Aunt Sally telling jokes, which brings laughter to those around us.

I can hear Uncle Issy yelling, getting rid of his frustration on all around him.

I can hear cousin Howard vowing to give up cigarettes, to the very end.

All the surrounding neighbors are constant, never moving. They are strangers to me.

I can hear them partying at all hours of the night and day. They never sleep.

On and on it goes, I am indeed buried in purgatory.

If I had the hindsight, I would of taken the foresight and donated my body. I would have then been cremated and have my ashes blown to the wind.




Artwork by Anna Broome


Honor Your Father and Mother


You were the seed that was planted, grew within to maturity, and you were born.

You may have been planned or an accident.

You may of be wanted or not.

If wanted, you were a joyful flower, a blessing, but there were no promises in life.

If not wanted, not planned, you paid the price.

No guarantees they will be good parents to one or all the siblings. They may be fair or favor one over the other.

One parent may be frustrated and take out their frustration on the children, verbal, physical, or both.

A parent may be alcoholic. Physical abuse would be high.

May be no money for proper food, clothes, housing, but loving.

Perhaps, a single parent, only interested in their own enjoyment, neglect the children.

If you are one of the unlucky ones, take control of your life. Do not destroy it with drugs, alcohol, bad choices.

You may be one of the lucky ones, with loving parents.

Not all these children started out wanted or loved. Others are given up because they are not wanted or given up for a better life. Hopefully a better life, no guarantees.

Honor your mother and father, but they must also honor you,




from the Kingfisher archive


Park Bench


It was time to leave my mother teak. As a seedling, I was able to fly on the air currents, like a parachute. I searched for an area of fertile soil and landed.

I took root.

Through the years, I began to grow in width and length, sprouting branches and leaves.

I stood among other trees and just wanted more.

A lumber jack came across the land and favored me. I was cut down, cut into slats, and made into a park bench.

I was placed in a community park, near a tree.

I was position in front of a path. To the right was a playground, to the left, a field where hock, baseball, soccer is played.

I sit and watch as the world goes by.

Lovers would come and sit and talk. As time progresses, they marry and bring the children.

Mothers would come and sit with their little ones in carriages.

As time went on, I watch them play in the playground on swings, see-saws, monkey bars.

Children come and play tag, hide and seek an I would be home base.

Wild flowers grew around me and children may pick them and give to their mothers.

As the children grow, they play in the playground, then advance to the field to play T ball, baseball, soccer, football.

I watch people jog, amble by, slowly walk by, just taking in the view.

I was a seat for those who feed the birds, read a newspaper, books, or just relaxed and watched the world go by.

An old couple would sit and hold hands and remember the days of their youth when their children were young,

At times I was a home for those without a home, and they slept one me.

I was grateful I was not a Birch, Hickory, Ash or Maple. Then I would have been cut down for firewood.

I would have missed the generation of families, provided a place of rest, a bed for the homeless, and being home base.

I just wanted more.

Sunday, May 22, 2022

Michelle Smith and Gia Civerolo


Playing Dress Up


Playing dress up in your bright red heels

Wearing your lipstick 

Along with a strand of pearls

Staring at the mirror

I see traces of you

on my face

when I don make-up

with a whiff of perfume


I see our beauty

in living spaces

That breathes sparkling

jewels passed down from

wrinkled hands


Black and white

framed pictures smiles trickle

down

Dust falling 

down

Like twinkle

Twinkle little stars

While Tinklebell's pixie dust

forms Tiara crowns

on sleeping heads

while angel feathers

remember


The lily of the valley

I picked for you Momma/Mom

The May flowers are your

Hope and sweetness 


Beverly Higginson

from the Kingfisher archive


Ode to the Love Flower      

                                                                

Bound to wake - I must

though sleep lies beyond my full grasp

morning casts sunlight through half-open slats

shimmering hummingbirds flit      

hover

then fly like arrows near trees

ornamented with tiny nests 

too perfect to endure


yet they do

in mist   

rain

afternoon's gusty disregard


Unforgiving sidewalk beckons me

when my footfalls desire soft sand

where I might bury my toes

yet I cannot


Trudge       trudge

over what appears to be 

a modest hill

It is in fact a mirage.


Regaling the landscape 

of another's prolific green thumb

          they appear


Brilliant teardrop blossoms

drizzled with dew

a fusion of lavender    violet   azure

open to a cloudless sky


petals at once fragile    delicate

deceptively strong

quiver atop stems like celery stalks

root in a billowing nest of emerald leaves

reaching        reaching

their purple crowned heads

lift in the breeze


It is you Love Flower

          Lily of the Nile

Agapanthus     Agapanthus

          flowering blue tone romances


And my chest swells....the concrete softens


Descendent of towering palms

in the hills of Beverly

a cousin once removed

from the fuzzy Lions of Dandee'


Your season ends too soon

beautiful Agapanthus

    Stay

Saturday, May 21, 2022

R A Ruadh

Artwork by Jack G Bowman

Lá Bealtaine


The time of fire

The time of gold

When aos sí work their magic

In sunlit fields

Wearing new green


Gather the coltsfoot blooms

Floating them on spring water

A flower remedy

To heal the spirit

Of winter’s slumber


Harvest gold dandelions

For summer wine

While the early bees

Find their way

Making mead honey


May moon waxes

Gilding the twilight

Fairy frogs weave the night

Singing their spells

Between the stars


The bonfires blaze

Libations poured

For kin, kine, and crops

Light has come again

Blessing thee and me.



Aos sí is an Irish name for faeries or spirits of the earth and fields. Lá Bealtaine is the Irish for Beltaine. Celebrated on May 1st, between spring equinox and summer solstice, it includes dousing and relighting the hearth fires, blessing the cattle and fields, and other rituals for cleansing and fertility. 

Dean Okamura


Flower


You were a beauty to behold & 

among all the flowers of the field, 

you alone capture my attention. 





In a Field


A fading print 

of a poem 

from World 

War I 

with poppies 

growing 

where men 

perished. 


Their anguish burns 

as the dead cannot rest 

as they cannot sleep 

or their sacrifice ever forgotten. 


Massive destruction 

in Ukraine 

is far from 

my quiet desk. 


For me, I can 

turn off 

the news 

on a tragedy that will 

continue until 

all 

missiles and bullets 

are 

fired. 


Their dead will 

join those of other wars —  

blood spilled 

where flowers grow. 





please don't shoot us


they talk like the only 

ship that brought Americans 

was the Mayflower 


every ship from 

Asia brought enemy aliens 

like us (Japs) 


we kept our heads low

to avoid the guns and blows 

save precious family 


Pearl Harbor sentenced

120,000 (most Americans) 

to incarceration 


that is our story 

this is our country of birth

we are not here 


to 

replace 

you 


Denise Dumars


Snapdragons


I knew one day I'd snap.

I knew the body of the lies

would weigh me down

and make me throw it off for freedom


So I became a dragon

red-breasted, black-tailed,

with a breath of fire and invective.

Scorched were they by my words


But in May even without April showers

my roses and geraniums and lilies

of the Nile and snapdragons bloomed.

I can't burn it all, now can I?


A little crisp around the edges

not unlike myself these flowers

were not perfect, were wounded

by the ups and downs of climate change


Flowers don't fear dragons

they remember dinosaurs, after all

so I put away my fiery breath, my wings

and even my glorious scales


Like thin slices of precious rubies

and instead I put on my gardening gloves

and my old tennis shoes

and went to the garden to begin.

Tish Eastman


Pilgrims


There was a first ship that brought them

across the black uncharted expanse, to a

distant foreign shore, expected to be more benign 

where a pervasive signal, not intended as weapon

a system contrived by the indigenous to track 

the positions of their primitive, unseaworthy, craft 

accidentally scrambled controls, propulsion 

the sextants and charts, the billowing sails

and the ship crashed in the desert moonrise 


One pilgrim set foot on the New World 

surrounded by spear points, taken as prisoner

scrutinized, after a half-life, frozen as corpse   

not a glorious landing about which myths arose 

of heartfelt thanksgivings when there were none

when there have been only conspiracies, lies


No one witnessed the Mayflower drop anchor

who could comprehend what that moment meant

who could publish conflicted headlines in newspapers 

which their tribe had not developed technology to print

nor would they ever, their culture disrupted, washed 

away by the ship, their ships, the ships that once 

having started arriving never stopped coming

in waves that lap the shores, the skies



Friday, May 20, 2022

Joe Grieco

from the Kingfisher archive

Natural Causes


As because the May will come 

when you smell the garden

and there is no garden


As because the June will come

when the pony shakes his head in the bridle

and there is no pony


As because July will come

when flames are fanned and there is no ending or beginning to the heat

and there is no fire


As because the August wind will write the book

when words are carried off in jet streams high beyond the cloud

and there is no wind


As because you were just thinking

this could be the day of change

when you must give your long and heartwarmed kiss to the final petals

and there is no flower


Wednesday, May 18, 2022

Patrick Walters

Photo by Aihua Gao


daisey dew


she does

rise the sun

gentle as dew

on daisy petal

soft her sound

wakes me

to fall again

morning flower

i am yours


Charles Harmon

 


Slam Bam Thank You Mayflower Ma'am

 

world’s oldest profession   don’t wanna be confessin’

men decide to take a chance   when they gotta fire in their pants

it’s hard out here for a john   when they want to get it on

it’s even harder for a gal   so she decides to have a pal

but it’s hard here for a pimp   gotta be tough can’t be a wimp

gotta forget about all your fears   give it all your blood sweat and tears

yeah it’s hardest for working girls   while the guys just want some thrills

it’s wasted time for streetwalkers   cause some guys are just talkers

some men take the blue pills   seeking out the cheap thrills  

but there’s psychos who just want to kill   they’re evil and mentally ill

 

it’s living hell out on the street   never knowing just who you’ll meet

it’s the worst for working girls   might get beat up might get killed

but it’s also bad for john’s   they get busted, rolled, played like pawns

yeah it’s hard here for a pimp   specially if they’re a shrimp

but some guys have got money   when they’re looking for some honey

and some girls are so high class   much more than just a piece of ass

they have got the common sense   to go look for high-class gents

they try their lives to freshen   they just have to ask the question

could there be a better way   that can really make it pay?

could they make a rendezvous   find a safer, nicer, cleaner place to screw?

instead of getting it on in a car   or under the table at a bar

instead of a no-tell motel   take your clothes off in a high-class hotel

 

there once was a lady named Sydney   though it sounds like a guy’s name to me

she thought an escort service was safer   than saying prayers and chewing a wafer

she traced her ancestry to the Mayflower   thought her high class gave her power

she made the oldest profession a business model   her customers to mollycoddle

don’t say she’s a prostitute   simply describe her as being astute

the rich and famous were her clients   say what you want they passed for gents

hit the Times as “Mayflower Madam”  when nobody even knew her from Adam

she made it safer to be a hooker   she didn’t nothing wrong—she was just a booker

but the DA disagreed, she had to pay a fine   caught her out wrong place wrong time

some of her customers you would not believe   hope you’re not too much naive

some men say “slam bam, thank you Ma’am”   just before they scream “hot damn!”

with no cops to make them scram   men act like cave men, go wham bam

say wham bam thank you Mayflower Ma’am   just before they scream hot damn!

moral of the story is easy to say    even rich men will pay to play

she got off with a five grand fine   back to doing it all the time

even those of higher class   still are out to get some ass

she found a way to make crime pay   Mayflower Madam all the way!


Mehtab Mowgli



I am a poor artist;  hungry as I am

My poetry has no meat, just bones 

My experience limited, confined by a gilded cage

No road trips across desert sands or through rainforests with friends

I am Atlas, bearing the burden of beloved parents

Yet I will not abandon my parents for love 

I am their fountain of youth

But in truth my tender May flowers have begun to wither

Grandfather clocks continue to tick 

No Taj Mahal, no Pyramid of Giza, no Great Wall of China

Yet I will not abandon my parents for love

I only wish for a garden of my own

A balcony for love’s kisses

A cave to explore my desires

Yet I will not abandon my parents for love.



Jack G Bowman


The Sharpest Thorn


He passes the bushes, grown large through time,

stretched out and misleading; the bright color petals; wide and open

he stops to gaze dreamily at them,

a genetic callback to an ancient insect perhaps,

he is intoxicated

he knows they must be trimmed, cared for,

but like other areas of his life,

he likes them this way; a bit wild and free

 

as he eases in one more step

he feels a long piecing burn

blood seeps out

and the stem bends away

 

look, but don’t touch.


Thom Garzone



Marking My Entrance


After Mother’s Day I sprung in photos w/ grandparents, godparents, sitters

as a post-war sun beamed down & led me to wherever time had shed its flesh.

Songs caught up w/ heroes & freedom, fallen stars & airwaves,

and a silver screens that glittered with icons.

Grass grew from my thoughts, lapsing into folds shielding decades.

Spring & May days rang w/ spirits that ran aground into spheres of abyss.

So lost a child of seasons, confined to wards, then released into society’s forests,

fed to predators, harbored by saints, moored to hope, but blinded by hope’s longevity.

I listened again for this source that screamed of sufferance, but guided me with a torch

to tomorrow’s mirage as I returned to fields of memories,

a faint port mystified in fantasy, clad as a prophet

who had lost at his crap game of life.

How then did the changing of years phase its own rift?

Why land delighted on these pages from a fragmented brain?

Timeless chapters become seized by tragedy or enclosed w/ loss.

Here lay motifs that helped rescue & illuminate my journey when creating art from grief.

Daylight emanates on faces, dialogue, scenes of the past, images, hardships

& just as hitting a dead end I turn, remembering how the sunlight came to me

on that spring day that cleared from the journey I’m on.  




from the Kingfisher archive


Meditation in May


A small herd of goats gather

on a rise of a freeway on-ramp.

They are white, black, and brown spotted,

yet unmarred before Nampa.

Spring surges when students, venues,

and businesses boom on the landscape,

a question that gleans on cliffs of time.


I see beggars who solicit loss

for small bills, and display cardboard notices,

a testimony to a losing side of bad luck

bemoaning society as unsuccessful.


I move a friend into my house, a fellow writer,

and venerable English professor, my comrade in words,

conjoining our forces and efforts, and in

transit lines of challenges,

in snapshots to an over-exposure of existence.





from the Kingfisher archive


Pacific Grove

Stepping on the paved sidewalk, clouds greet me
and I bid them hello, barefooted
I long to see the beach for the first time
Lover’s Point, a cove with crags that surround a lagoon
seaweed and kelp wash in and out
with ocean current, and a light spray of salt water sprinkles my face
as waves ebb, but also in me
the tide sways and swells, local kids dive off cliffs
A bikini-clad woman sees my East Coast distinction, eyes agape and looking at her exposed pubes,
I feel urges I had never felt before
A volleyball game ensues while vendors sell taffy and popcorn
July 1975’s rock music transfigures time
After I find a spot on Lighthouse Avenue to outcast myself to a smoking habit at 13,
noticing the difference in the nature and ice plants overrunning the grounds
I had never known these scenes, iconic moods, human character I’d only known in Steinbeck novels
Now in the same setting, Monarch butterflies converge on Pacific Grove
My brother stuffs our family of four in his studio till we find a condo in Seaside
Then I said farewell to PG, yet can hear the walruses moan on the round rocks,
feel how the sea otters swim off the marina, and emerge in pages of Cannery Row,
PG leaves an indelible notch, carving out a memory, narrated by the rock-n-roll,
of wasting days on skateboards
One summer, years later I traveled from LA to PG and it drew me like a magnet, ingrained
yet rocking like a buoy on the sea

Tuesday, May 17, 2022

Jeffry Michael Jensen


Vagabond Scatter

 

In May, Sweetie gave up folding fake flowers in order to comb

the London Underground with more straggle than most.

Cardiff had been a real kick in the head–passive parents,

parochial schools, drunken boyfriend, premature angst.

At seventeen, Sweetie needed a break from Welsh Gothic

and migrated to London to catch up with her black sheep of the family uncle

who had set up shop as an analyst to the theater crowd.

A small plastic monkey that her uncle Colin had picked up

in Cardiff hangs from the top of his bedroom mirror frame.

In the bottom corners of the frame, he had stuck

a photo of himself as a baby being held by his mother

and a photo of himself at nineteen with long hair

and a naked girl with flowers between her teeth on his shoulders.

Sweetie stayed in Colin’s flat for a couple days

before she got tired of his preoccupation with bringing home Brighton bimbos.

Hoping to carve out her own empire, she joined a rag-tag troupe

that performed folk tunes on acid for loose change.

Sweetie wore out her welcome in about a month and bummed a ride

to Oxford to catch up with her gay older brother who was lecturing

on Virginia Woolf at one of the colleges for a term.

She had taken her uncle’s plastic monkey as a good luck charm,

but posted it back to him after only a week of boozing with Oxford’s best and brightest.

Summer was coming and Sweetie missed the peacocks at Cardiff Castle,

the aroma from her father’s tobacco shop, the ballerina

in her heart, and taking refuge in her mother’s arms.

Monday, May 16, 2022

Scott C Kaestner

Artwork by Anna Broome


Sativa Sunshine


Damn that Jack Herer

got me all...


zombie gazing into thirsty blue sky

sitting under a tree in my backyard

watching the world watch me here

fade away into a cool ocean breeze

tempering the heat of a scorched sun

soaked SoCal afternoon, there is

really nothing to do except breathe

cherish the unheralded perfection

of this moment, my mind a flower

in bloom, my soul spinning

a universal gospel.

Lorelei Kay

 

(please click on image to enlarge photo)

Hedy Habra

Artwork by Anna Broome


Encounter in the Yellow Hour

You’d think we’re about to engage in an elegant minuet, right hands
raised in the ritual sequence of honor, yet her left hand waves the
bouquet of wildflowers away from me as mine struggles to hold
down my vest blown by the wind: but wait, rewind the tape to when
I first saw her walking towards me, as though floating in that sea of
wheat, holding wildflowers gathered just for me, for she must have
mistaken me from afar for a pirate with my kilt and wide-brimmed
hat: how I fooled myself, falling into my own trap, a motionless
ready-made, unable to take her into high seas like a one-legged sailor,
nor make love to her in the golden swaying waves of wheat, I, the
trickster would-be scarecrow won’t come to life like the fairy tale
frog, even the scorching heat won’t cast away my self-inflicted spell:
this is the end of the minuet, the last farewell steps of the ritual
sequence of honor, she’ll let the flowers scatter in the wind, the still
dance lasting for an instant merging end with beginning.


First published by Poetic Diversity: The Litzine of Los Angeles,
From Under Brushstrokes (Press 53 2015)



Artwork by Anna Broome


Lidless Eyes

It all happened after a furtive tear trickled down followed by a larger
one, raindrops of blue sorrow forming a puddle then a pool,
drowning me and my unborn child, or was I diving into the deepest
of my eyes, undulating in the aqueous humor, eyes wide open,
staring at my baby’s crib suspended in oceanic blue by a long,
stemmed lotus flower sprouting from its center as an umbilical
chord rising towards this iridescent parachute unfolding its pearled
petals in sympathy, and even medusas wearing their mourning coat
slide like a procession of black umbrellas, a silent omen while
anemones’ lidless eyes stare at me as one of their own.


First published by Pirene's Fountain
From Under Brushstrokes (Press 53 2015)


Artwork by Anna Broome


Origin

I have no name, no face, no age. I have lost track of my birthplace: a
grain of sand blown by the slightest breeze, I’ve crossed continents
and shores, flown over dunes and quarries, known the brush of
leaves and grass, even rested in ponds after being swept by crested
tides, always unseen, but never lonely, my edges softened by rubbing
against ruby, garnet, coral, quartz, shells, endlessly smoothing each
other’s skin, surviving the heat of scorching sun drowning in carmine
sea until that last sacrifice on the pyre where our blood melts into
layers and layers of crimson petals opening up in their last frozen
gesture. Is anyone aware that I am forever prisoner in that translucent
flower.


First published by The Smoking Poet
From Under Brushstrokes (Press 53 2015)

Sunday, May 15, 2022

Jackie Chou

Artwork by Anna Broome


Beyond Blooms


She's a May baby,

lily of the valley–

head drooping in girly chagrin,

white bell-shaped skirt

trembling in the wind.


Yet to call her by her birth flower 

would be a tepid statement 

missing a much deserved 

exclamation mark.


A prodigy all grown up,

she’s now a professor.

Complex math equations 

and chemical formulas 

flow from her unmanicured hand.


Beyond birds and bees.

Shih-Fang Wang

Photo by Aihua Gao

My Pleas


More April showers please, rain clouds

The land is cracking from drought

Only you can revive the dying trees 


Lend me your petals, May flowers

I want to adorn my poems with your colors

To purge the gray from my melancholy 


Shine your torches on my path, fireflies

The sky is darkened by gun smoke 

Help me to find my homeward way


Sing me jovial songs, robins

Too much cacophony and clamor

From this troubled world


Stay longer if you may, spring

To delay dreadful summer fires and

Horrendous storms owing to men’s greed


Don’t leave me, my plea to you, peace

I need to sail through a world 

Full of turmoil and chaos




from the Kingfisher archive

Black Soil


This spring don’t expect 

Flowers will bloom in May

On this war-torn black soil


Even weeds won’t survive

Since April showers were replaced

By rains of bombs and bullets


The land is charred 

Fields are pitted by blasts

Covered with rubble

A scene bleaker than winter’s


This land used to grow lush plants

Now occupied by many new graves

Buried war victims who nurtured 

And enjoyed their blossoms before


Black soil is more precious than gold

Crops and flowers flourish the best

Yet it elicited the hatred of invaders 

Resulted in this devastating war 

 



Photo by Aihua Gao

May Flowers 


Quietly buds pop out under spring’s wings

Then suddenly flowers burst 

Everywhere in the wild fields

When weather is warming up


Fully bloomed like billowing skirts 

Blossoms rival to show their passion

Seductively they dance with breeze 

Before vernal season is over


Returned birds sing gaily

In celebration of spring

Bees and butterflies

Lured by colorful sights 

Forage in blossoms collecting nectar


Nature however is indifferent

Beauty of May flowers is ephemeral 

Just like our vibrant youth 

Vanished before we would let go


When summer sun scorches

Harsh wind blows

Petals are ripped away 

Then settle to earth

Leave their legacy for new lives


Carl Stilwell AKA CaLokie

from the Kingfisher archive


Pascal and Bukowski Sneak into Santa Anita from Snotty Sestina


All around our tiny planet in a tiny galaxy is empty space.

I have to take a crap after making bet for first race.

In relation to the infinite I am nothing.

In relation to the nothing, I am everything.

As if the very searchlight of God was focused on me,

I picked up my racing form and began reading it.


By reason I seek to comprehend the infinity of things beyond it.

I've found this place...you should see the air, light and space.

The endless enormity of an impersonal universe engulfs me.

Rush to bar for shot of scotch after second race.

Miss the love shadows-- When she left, she took almost everything.

What was before and will be after, I know nothing.


How can all there is come from nothing?

Unless it bursts from your soul like a rocket, don't do it.

Like Einstein or Hawking I want an explanation for everything.

With heart not reason, I'll soar throughout space.

I pass gold poppies by Seabiscuit's statue during third race.

It's so sad: the flowers are still trying to please me.

.

If I wager on God's existence what will happen to me?

If God is, I win all. If he isn!t, I lose nothing.

I haven!t won shit as we come to the fourth race.

As stars move through space they dent or warp it.

They say deep in earth live Creatures from Outer Space.

At a black hole entrance, I come to the end of everything


but through its exit, I may come to the beginning of everything.

A crazy alcoholic woman once threw Pound's Cantos at me.

What we think is gravity is the strong curvature of space.

Wild: my body being there and filled with nothing.

It's still miraculous whether the beginning is from a thou or it.

Can't get my ass off barstool and miss fifth race.


I break my losing streak in the sixth race.

From the precipice I leap into the void or everything.

I told that tough motherfucker, "You can make it!”

The eternal silence of these infinite spaces alarms me.

Yet like the universe I have come into being out of nothing.

Nothing but space between us... care to close that space?


After the seventh race, Blaise says to me,

"Chinaski, you have everything to gain but will lose nothing.”

"I wish it were that simple,” I tell this fucking space ball.


Lori Wall-Holloway


Viola Haiku


Small purple blossoms

Greet day in morning coolness

Sweet childlike faces





Snapshot 


Young woman sits on bench
and carefully picks up tiny
black roly-poly she discovers 
on cement ground
It does not roll to protect 
itself but appears to pose 
on her arm for a photo 

She rises to put
it with flowers and plants
but accidently drops the bug
Upset, she quickly urges
it back on her hand 
to situate it in a safe place 

I watch the scene
play out before me 
and observe
my granddaughter’s
sensitivity 
Her tenderness resembles 
that of her youth
when she turned over 
the dirt in the garden 
to watch pill bugs 
roll up into balls

Gwendolyn Fleischer

Photo by Aihua Gao

Birthday Bloom Bouquet 


Mayflowers, mayflowers

birthday girl flowers

all for me, all for me, all for me

 

pink rose buds, geraniums too

bright yellow daisies

handfuls of sun shiny faces of daisies


forests of sunflowers taller than me

apple trees blooming shading my way

sweet smells wafting over me


tea is served in a daffodil cup

path filled with rose petals strewn

stroll with bare feet soaking up aromas

 

May flowers, may flowers

birthday girl flowers

all for me, all for me, all for me


cover yourself with may flowers

may flowers, birthday girl flowers.

come and party with me

Marianne Szlyk

from the Kingfisher archive


After Samuel Barber’s Adagio for Strings


For the one listening, 

the Atlantic is to the west.


Summer sunset ends her day,

light fading as she fades


onto cool blue sheets,

duvet pulled up to her chin.


The strings swell and ebb

like the ocean she imagines.


In her land-locked city,

she may wake up to rain


or dust catching in her throat.

Tonight she dreams of the ocean.


Photo by Aihua Gao


The Bees Return to Maryvale Park


On the lip of a lavender flower, 

a bee breathes in the wild scent 

born of swamp water, thick mud,

and sunshine, not sugar

or perfume.


Another bee pries out pollen

to add to its sweet hoard,

the kind we may not bottle

or sell: the bees’ own.  


Or so we want to imagine.


Probably a house on MacArthur

has hives, stacks of white boxes

tucked among peach and apple trees,

behind a tidy brick ranch.


The owner settles on the stoop. 

He plans to sell the honey,

his honey—la miel.  

He may sell the pollen too.


Wherever they come from,

whether the honey is theirs

or their keeper’s,

masses of bees dip into blue vervain,

Joe Pye Weed, tiny yellow daisies,

all the flowers that grow in the swamp

with cat of nine tails and stunted,

large-leafed trees.


The bees were dying once.

This summer they are reborn.



Originally published in In Quarantine



from the Kingfisher archive


Leaving the City Made of Fog

After Hung-Ju Kan, Density Vs. Emptiness 20-3 (triptych), 2020


In quarantine, the artist walks past spring flowers,

pink dogwoods that could be starched silk.

The slight wind pushes cherry blossoms 

to the ground where footsteps crush them.


The blue haze smells of alcohol wipes, scent

of this hospital city.  Sirens’ sounds

drown out the thin songs 

of returning birds perched in trees.


Mist hangs down to hide houses.

He has seen too much in winter

when he walked miles to the studio, 

stretched canvas, used oils 


to capture the city of fog

and the girl who smelled of mocha 

and turpentine.  Twice they danced 

at a club, pressed together without masks.


At last sun and sky break through.

Next week he is leaving the city of fog.

Next week he is flying home.

Masked and gloved,


he will ride the empty subway, 

feeling the streets above him disappear,

longing for the streets back home 

crowded with people who brush past him.


He has already forgotten the girl’s name.



Originally published in Sheila-na-gig.


Robert Fleming


Canada Souvient


le drapeau est rouge comme la santé des premier 1608 colons d’Acadia

& blanche comme le premier floraison fleur-de-lis

dans automne les arbre érable tombre orange & élan bois rut

dans hiver la neige couvre le prairie rose

dans printemps l’arbre érable sève & les castors laisser leurs loges

dans été July 1, 1867 Canada est devenu un nation




Canada Remembers


the Canadian flag is as red as the blood of the 1st 1608 Arcadia settlers

& white as the 1st bloomed fleur-de-lis flower

in fall maple tree leaves fall orange & moose rut

in winter snow covers the prairie rose

in spring maple tree saps & beavers leave their lodges

in summer July 1, 1867, Canada became a nation




witch zuppai


pastrami on rye 

Salem delicatessen

ergot poisoning


low vitamin A

pinprick hallucinations

witch discovery


step up to podium

Salem town crier cries cries

three witches burned


wench stays wench not witch

swallow pill under full moon

1661 witch control pill


flower petal yeast

final bread slice digested

white snakeroot flower


Don Kingfisher Campbell

A Driveway


Along the setback

a burgundy-tipped

green-flowered

succulent reaches

up with many

branches in a

dusty black 

plastic pot with

drainage holes

at the bottom


A little spiky

palm tree is

rooted near

the further edge, 

anchored by

a brick sized

asphalt chunk


Across from them

white calla lilies

gracefully spiral out

of tall stems taking

in the sun and small

predatory beetles


A large flowering

bush has started

to grow above

the lip of the long

concrete path

(a side-view

mirror hazard)


Just last month

my new wife

personally planted

two two-week-old

(gifted by me)

Home Depot tiny

drooping brown

flower bunches

hoping they will

eventually recover


Unfortunately, there

are also still a few

marks as you travel

down the entranceway


A black spray-painted

BMW grille shadow

from when my daughter

and her husband

stayed here for six

pandemic months


And a trail of white

paint tire tracks

left over from

my ex-girlfriend's 

poured jealousy

one morning in

early 2018 after

I had married

someone else


Who turned out

to want nothing

more than a green

card marriage

(thank god she's

behind me)


Mary Mayer Shapiro

Artwork by Anna Broome Cemetery The cemetery is outside of the town, located on the hilly side, encircled with a fence. People were dying to...